(I’m not representing the digital picture accurately reflects the hue in real life! I’m also not saying that opaque or transparent is better that’s up to you. If anything, the W&N sample had less water than the other two. I tried to apply each sample with similar pigment/water ratios. Its vibrant shade is ideal for adding pops of color to landscapes, perfectly capturing a still life portrait, or creating a bright outdoor mural. These results are comparable to the Handprint results, BTW. (I didn’t know how well you’d be able to observe the opacity in a digital image.) As you can see, the DaVinci is quite opaque (easily visible to the naked eye without adjustment), the Daniel Smith is semi-transparent (just a bit of blue showing), and the W&N sample is transparent. It has one of the highest tinting strengths of any pigment known. Phthalo Blue is an intensely dark and very transparent blue that leans slightly towards green making its color quite different from Ultramarine. ![]() On the other hand, dark gray colors can be used to add depth and drama to cobalt blue rooms. To do this, choose soft and subtle gray shades, such as dove gray walls with cobalt blue artwork. Its optical and blending values derive from being the pigment. Gray Gray is a modern neutral, so a cobalt blue and gray color combination can be great for toning down the intensity of cobalt blue. This pigment was discoverd in the 1930s and is one of the modern synthetic organic pigments. Cobalt blue is a colour that cannot be mixed from any random collection of other paints. In the second image I exaggerated the blue component of the image to reveal more clearly the opacity of the paints. Phthalo Blue is the new kid on the block. This article is all about how to make navy blue paint and experimenting with popular blue colors to see what you need to mix with them to achieve the. ![]() ![]() Having studied paints (more than I painted I fear! :o ) I knew this to be false.īelow are paint-outs for three different cobalt blue paints for comparing opacity/transparency. Ten years or so ago a well-known workshop instructor insisted to the class that cobalt blue was an opaque pigment.
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